Unconventional Picks: Films Roger Ebert Unexpectedly Praised

Throughout his illustrious career, Roger Ebert earned a reputation as one of the most influential film critics of all time. While his opinions were highly regarded, he occasionally surprised audiences by championing movies that received lukewarm or negative reviews from others. This article delves into some of Ebert’s unconventional picks, revealing his ability to find merit in unexpected places and appreciate films that defied conventional wisdom.

Embracing the Unconventional: Ebert’s Unique Perspective

Roger Ebert’s approach to film criticism was rooted in his genuine love for the art form and his willingness to evaluate each movie on its own terms. He believed in judging a film based on its intentions and success in achieving those goals, rather than dismissing it outright based on preconceived notions or popular opinion.

This open-mindedness allowed Ebert to appreciate films that others might have overlooked or dismissed, enabling him to uncover hidden gems and offer fresh perspectives. His contrarian takes often sparked debates and challenged audiences to reevaluate their assumptions about what constitutes a “good” or “bad” movie.

Unlikely Favorites: Ebert’s Surprising Endorsements

“Home Alone 3” (1997)

While Ebert was critical of the first two installments of the “Home Alone” franchise, he unexpectedly praised the third film, “Home Alone 3.” Despite the absence of Macaulay Culkin and writer John Hughes, Ebert found the movie genuinely entertaining, citing the sweet performance of Alex Linz and the well-executed slapstick humor.

“Paul Blart: Mall Cop” (2009)

Kevin James’s physical comedy in “Paul Blart: Mall Cop” may not have resonated with everyone, but Ebert awarded the film three stars out of four. He appreciated the PG humor and James’s portrayal of an unconventional action hero, praising the movie’s inventive chase sequences and creative use of product placements.

“Cop and a Half” (1993)

One of Ebert’s most surprising endorsements was for the Burt Reynolds comedy “Cop and a Half.” Despite its seemingly formulaic premise of a veteran cop partnering with a precocious child, Ebert found the film “essentially sunny and good-hearted,” even going so far as to claim it was more entertaining than “Home Alone 2.”

Embracing the Overlooked: Ebert’s Appreciation for Genre Films

While many critics tend to dismiss genre films or hold them to a different standard, Ebert approached these movies with an open mind, recognizing their merits and appreciating their ability to entertain and captivate audiences.

“Sudden Death” (1995)

In the oversaturated world of “Die Hard” clones, Ebert found enjoyment in the Jean-Claude Van Damme actioner “Sudden Death.” He praised the film’s manipulation of action sequences and special effects, acknowledging its primary goal of delivering a thrilling experience.

“Speed 2: Cruise Control” (1997)

Despite the widespread criticism of the “Speed” sequel, Ebert embraced its goofiness and unapologetic embrace of summer blockbuster tropes. He admired the film’s willingness to indulge in over-the-top scenarios, finding it more entertaining than many had anticipated.

Conclusion

Roger Ebert’s unconventional picks and contrarian perspectives remind us that art is subjective, and one person’s hidden gem can be another’s disappointment. His ability to approach films with an open mind and appreciate their unique strengths and intentions sets him apart as a true lover of cinema.

While not every moviegoer may share Ebert’s enthusiasm for these particular titles, his willingness to challenge conventional wisdom encourages us to broaden our horizons and embrace the unexpected. By keeping an open mind and appreciating the diversity of cinematic experiences, we can uncover hidden treasures and gain a deeper understanding of the art form we love.